Clad in Samurai Armor, an Obsidian Naginata was strapped to her back and a Katana hung from her waist.
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She had been standing close enough to overhear. Tomoe Gozen, the First Officer aboard the Enola Gay, approached the Two Captains.
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That means, in your own personal assessment, are we about to do the Right Thing?”Ĭaptain Tibbets was silent as he continued to stare at the Green World on the View Screen. “I asked if you were sure about this one. “That’s not what I asked you,” Captain Lewis said with an angry tone. You know this, Captain Lewis, you were there.” A Council Hearing was convened as it always is in order to determine if a Mission is worthy of our Unique Ship. “We’ve reviewed the Mission Specs over and over. The look on Captain Tibbets’ face might as well have been a chunk of granite. Clouds could be seen dotting the atmosphere. It seemed so peaceful, rotating ever so slowly around and around. “Are you sure about this one?” Captain Lewis said to Captain Tibbets.Ĭaptain Tibbets stared at the Green World on the View Screen. (Aug.ENOLA GAY SUPERFORTRESS – STARDATE 09.24.20 Instead, they lost a political contest seemingly caused, at least in part, by their own tendentiousnessa lesson that, judging by this book, has yet to be learned. The Smithsonian could have fostered an appropriate national dialogue on Hiroshima and Nagasaki. This interpretation is by no means generally accepted, however, even in the academic community. This reflects a revisionist position that argues that the nuking of Japan was based on questionable necessity and dubious morality. The text and artifacts originally proposed for the exhibit did in fact present strong images of American perpetrators and Japanese victims. On the other stand the usual suspects: Newt Gingrich, Rush Limbaugh, the Air Force Association and similar right-wing forces committed to "patriotic orthodoxy." Common to most of the contributions here is a sense of outrage that the conclusions of respected scholars should be challenged by uncredentialed outsiders. According to the authors, on one side are scholars and intellectuals courageously seeking to establish open discourse on ambiguous elements of the U.S. Dower, Michael Sherry, Marilyn Young and the editors comment upon and often exacerbate the current struggle over how public history depicts the American past. In eight essays, historians including John W. Publishers Weekly The gutting in 1995, because of political protest, of a planned Smithsonian exhibit about the atomic bombing of Japan serves as the launchpad for this intemperate polemic.
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Included are trenchant essays by Paul Boyer, John W. Everywhere now, history is increasingly being held hostage, but to what end and why? In History Wars, eight prominent historians consider the angry swirl of emotions that now surrounds public memory.
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#Enola gay and other battles professional#
What kind of history Americans should read, see, or fund is no longer merely a matter of professional interest to teachers, historians, and museum curators. From the “taming of the West” to the dropping of the atomic bomb on Hiroshima, the portrayal of the past has become a battleground at the heart of American politics.